other variations on jazz-blues form
1. basic jazz blues
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bb7 | F7 | D7 |
| Gm7 | C7 | F7 D7 | Gm7 C7 |
2. Count Basie-type jazz blues
| F7 | Bb7 Bdim7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 | D7b9 |
| Gm7 | C7 | F7 | C7 |
3. Bebop blues
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7b9 |
| Gm7 | C7 | Am7b5 D7 | Gm7 C7 |
4. Tritone substitution into Bb7
| F7 | Bb7 | F7 | F#m7 B7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| Gm7 | C7 | F7 D7 | Gm7 C7 |
5. Whole-tone ascent through bars 1–4
| F7 | G7 | A7 | B7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| Gm7 | C7 | F7 D7 | Gm7 C7 |
6. Whole-tone descent through bars 1–4
| F7 | Eb7 | Db7 | B7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| Gm7 | C7 | F7 D7 | Gm7 C7 |
7. II V using backdoor dominant in bar 6
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bbm7 Eb7 | F7 | Am7b5 D7 |
| Gm7 | C7 | F7 D7 | Gm7 C7 |
8. Tritone II V in bar 6
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bm7 E7 | F7 | Am7b5 D7 |
| Gm7 | C7 | F7 D7 | Gm7 C7 |
9. Chromatically descending dominants in bars 7–8
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 E7 | Eb7 D7 |
| Gm7 | C7 | F7 D7 | Gm7 C7 |
10. I IV III VI movement in bars 7–8
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 Bb7 | Am7b5 D7 |
| Gm7 | C7 | F7 D7 | Gm7 C7 |
11. Tritone substitution in bar 10
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| Gm7 | Gb7 | F7 D7 | Gm7 C7 |
12. Stablemates approach in bars 9–10
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| Abm7 Db7 | Gm7 C7 | F7 D7 | Gm7 C7 |
13. Moment’s Notice approach in bars 9–10
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| F#m7 B7 | Gm7 C7 | F7 D7 | Gm7 C7 |
14. All-dominant cycle turnaround
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| Gm7 | C7 Bb7 | A7 D7 | G7 C7 |
15. Long dominant fourth-cycle into the IV chord
| F#7 B7 | E7 A7 | D7 G7 | C7 F7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| Gm7 | C7 | F7 D7 | Gm7 C7 |
16. Tritone-altered turnaround / chromatic descent
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| Gm7 | C7 Bb7 | A7 Ab7 | G7 Gb7 |
17. Lady Bird blues turnaround
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| Gm7 | C7 | F7 Ab7 | Db7 Gb7 |
18. Full tritone-substitution blues
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bm7 E7 | F7 E7 | Eb7 D7b9 |
| Gm7 | C7 Bb7 | Am7b5 D7 | Gm7 C7 |
19. Bird blues
| Fmaj7 | Em7b5 A7 | Dm7 G7 | Cm7 F7 |
| Bb7 | Bbm7 Eb7 | Am7 D7 | Abm7 Db7 |
| Gm7 | C7 | F D7 | Gm7 C7 |
20. Giant Steps / Countdown changes
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| Gm7 Ab7 | Dbmaj7 E7 | Amaj7 C7 | F7 C7 |
21. long dominant fourth cycle
| F7 | Bb7 | F7 | Cm7 F7 |
| Bb7 | Bdim7 | F7 | Am7b5 D7 |
| F#7 B7 | E7 A7 | D7 G7 | C7 F7 |